Top 10 Meryl Moments

It’s no secret that the person I most want to be when I grow up is Meryl Streep. Her talent, poise, beauty, and philanthropy are something to be admired; (plus, she’s married to a hot sculptor. Aspirational.)

In honour of her almost certain 17th Academy Award nomination for The Iron Lady, I am counting down her 10 best film moments. Trust me, they were pretty hard to narrow down. It was like a blogging Sophie’s Choice (hahahaha, omg I’m hilar).

10) As Lindy Chamberlain in A Cry In The Dark - Interrogation scene

Only Meryl could take the a dingo took my baby” movie, and make it not in the least bit funny. This Fred Schepisi film, about the real court case of the mother accused of murdering her baby during a family camping trip, is not an easy one to watch. But that is the true testament to Ms. Streep’s success. She is absolutely harrowing in her portrayal, and we feel Lindy’s anguish as an audience through and through.

9) As Linda in The Deer Hunter - God Bless America scene

Not her showiest, tears and snot kind of scene. But what makes Meryl great, aside from her wide collection of black turtlenecks, is her subtlety. This scene from Michael Cimino’s Vietnam war drama The Deer Hunter is graceful, calm, and altogether electric. It is not what’s being said, er sung, it’s what is not.

8) As Ethel Rosenberg in Angels In America – Hospital scene

Perhaps I’m biased because this is the best play ever, but Meryl’s scene with Al Pacino in Angels In America is some of her best character acting work to date. I suggest everyone go out and rent Mike Nichols’s HBO adaptation, and also see WJT’s production when they stage it beginning March 21.

7) As Julia Child in Julie & Julia - Love to eat scene

Perhaps her most loveable role to date, Streep’s impersonation of 60′s cooking superstar Julia Child is simply uncanny. The unfortunate side-effects of such a charming performance, however, is that Amy Adams’s co-starring role as Julie Powell paled insufferably in comparison to the omelette-flipping, good fairy herself.

6) As Clarissa Vaughan in The Hours – Happiness scene

Again, potential bias here as The Hours and Mrs. Dalloway are two of my favourite books. But Meryl’s work as the consummate hostess Clarissa Vaughan is so effortless, affecting, and vibrant. It’s a travesty that she did not receive a Best Supporting Actress nomination for this work.

5) As Francesca Johnson in The Bridges Of Madison County - Car farewell scene

This movie is still difficult for me to watch, as it is a heart-wrenching, tear-jerking, soul-crushing love story of epic proportions. Clint Eastwood’s adaptation tells the story of an Italian/Iowan housewife (Streep) who enters into an affair with a National Geographic photographer (Clint Eastwood). Let’s just say it put me off love and Iowa for life. muffled sobs

4) As Miranda Priestly in The Devil Wears Prada - Cerulean scene

Fearless as anything, Streep took on someone more terrifying than both Weinstein brothers combined: Anna Wintour. In David Frankel’s adaptation of Lauren Weisberger’s book of the same name, Streep plays the editrix for the fictional Runway magazine, a very loose adaptation of Ms. Wintour, Vogue’s Editor-In-Chief. This scene is possibly the most potent bitch work ever committed to film. I loved every second of it.

3) As Sister Aloysius in Doubt - Confrontation scene

To put it inelegantly, Streep kicks complete ass in this film. As Sister Aloysius in John Patrick Shanley’s film adaptation of his own play, she’s like a fire-breathing dragon. Her ferocity, matched with her quick-witted tenderness makes this an absolute powerhouse performance. Still bitter about this 2008 Oscar loss.

2) As Joanna Kramer in Kramer vs. Kramer

The most remarkable aspect of Ms. Streep’s performance in Robert Benton’s child custody drama is her ability to humanize a character with so much opportunity for audience hatred. Streep, who had a hand in rewriting much of Joanna’s script, is able to provide a relatable, sensitive, and timid counter-part to Dustin Hoffman’s sometimes overtly-noble Ted Kramer. This scene is Joanna’s retribution, and Streep hits her mark perfectly.

1) As Sophie in Sophie’s Choice - The choice scene

Was there really any other choice? Playing a Polish immigrant in Alan J. Pakula’s adaptation, we see Streep take on every parent’s worst nightmare: having to make the ultimate choice between your children. Although there are many other aspects to this film, (Kevin Kline, the Holocaust, Brooklyn), it is this scene of Streep’s, spoken in perfect Polish, that we see an acting feat of such remarkable proportions, that there is little doubt that Meryl Streep is one of the best acting talents ever to come along.

What are your favourite Meryl Streep movies? Share your thoughts with a comment, why donchya?

The Oscars – Who Should Be Nominated

Now that all of that Golden Globes fluff is behind us, we may now look forward to the Academy Award nominations, just 8 days away. Inspired by those smarties over at the New York Times, I’ve decided to list who I think the nominees should be for all the major categories. Enjoy, and weep with me when none of them come true.

Best Picture

The Tree of Life

The Descendants

Melancholia

Hugo

Take Shelter

Best Director

Terrence Malick – The Tree of Life

Martin Scorsese – Hugo

Lars von Trier – Melancholia

Roman Polanski – Carnage

Alexander Payne – The Descendants

Best Actor

Michael Shannon – Take Shelter

Brad Pitt – The Tree of Life

George Clooney – The Descendants

Jean Dujardin – The Artist

Michael Fassbender – A Dangerous Method

Best Actress

Meryl Streep – The Iron Lady

Kirsten Dunst – Melancholia

Mia Wasikowsa – Jane Eyre

Tilda Swinton – We Need To Talk About Kevin

Jessica Chastain – Take Shelter

Best Supporting Actor

Alan Rickman – Harry Potter and the Deathly Hallows: Pt. 2

Hunter McCracken – The Tree of Life

Albert Brooks – Drive

Kenneth Branagh – My Week With Marilyn

Christopher Plummer – Beginners

Best Supporting Actress

Berenice Bejo – The Artist

Octavia Spencer – The Help

Shailene Woodley – The Descendants

Melissa McCarthy – Bridesmaids

Janet McTeer – Albert Nobbs

Best Original Screenplay

Diabo Cody – Young Adult

Mike Mills – Beginners

Michel Hazanavicius – The Artist

Woody Allen – Midnight In Paris

Asghar Farhad – A Separation 

Best Adapted Screenplay

Alexander Payne, Nat Faxon, Jim Rash - The Descendants

Lynne Ramsay and Rory Stewart Kinnear - We Need to Talk About Kevin

Steven Zaillian and Aaron Sorkin - Moneyball

John Logan – Hugo

Steven Zaillian and Stieg Larsson – The Girl With The Dragon Tattoo

Who do you think should garner some of the coveted Oscar nominations? What were your favourite films of 2011? Drop me a comment, pretty please.

Lauren Best’s 2012 Golden Globe Fashion Breakdown

What’s that, the vague screeches of Joan Rivers and her pack of gay stylist picking their best and worst dresses of the 2012 Golden Globes? Nope, it’s Lauren Best, local fashion aficionado and supplier of my lipstick consultations. Check out her best and worst dressed picks below.

Best: Sofia Vergera in Vera Wang

“Sofia Vergara from Modern Family looked amazing in this midnight-blue Vera Wang gown. The colour is immaculate, and the fish tail bottom shows off her amazing curves. If I looked like that in this dress, (or if I was her), I would never want to take it off. Sofia Vergera is my best dressed pick of the night.”

Worst: Sarah Michelle Gellar in Monique Lhuillier

“I just cannot begin to imagine what Sarah Michelle Gellar was thinking when she decided that wearing a tie-dyed Monique Lhuillier gown to the Golden Globes was a good idea. I do like the print, but definitely not for this dress. The photo speaks for itself. She is my word dressed pick of the night.”

To read Lauren’s complete coverage of the 2012 Golden Globes fashion, visit her blog by clicking here.

Golden Globe Awards Recap


The Moet has been popped, the president of the Hollywood Foreign Press has torn Ricky Gervais a new one, Harvey Weinstein has terrified several publicists, and the results are in. Although there were a few upsets, the show went mostly according to predictions. But I must journey on with the recap, as my stomach attempts to digest the vat of sushi and McDonalds that I ate, like the classy broad that I am.

In the TV department, Homeland and Modern Family were the big winners of the night, respectively taking home the biggest tv awards. Highlights include Claire Danes and Kelsey Grammar’s exciting wins for Best Actress/Actor in a Television Series – Drama, for their performances in Homeland and Boss, respectively. I was happy to see Laura Dern take home the Best Performance by an Actress in a Television Series – Musical or Comedy for her work in the underrated Enlightened. Best Mini-Series or Movie Made For Television, unsurprisingly, went the badass aristocrats over at Downton Abbey. As previously mentioned, Best Television Series -Drama went to Homeland, while Best Television Series – Comedy or Musical, went to the gay cliches over at Modern Family. I’m shocked.

One of the biggest snubs of the night happened when Joey Tribianni, I mean Matt LeBlanc took home Best Performance by an Actor in a Television Series – Musical or Comedy for his performance in Episodes. Critics were predicting another win for the indelible Bryan Cranston in Breaking Bad. Hey, LeBlanc had Just for Men on his side. Hard to beat.

Over in the movie department, or what I like to call the front and centre portion of the ballroom, it was all about The Artist, who took home 3 awards, including Best Motion Picture – Musical or Comedy and Best Performance by an Actor in a Motion Picture – Musical or Comedy for Jean Dujardin.

Unsurprisingly, Octavia Spencer took home Best Performance by an Actress In A Supporting Roll in a Motion Picture – Comedy or Musical for her work in The Help. That sexy senior citizen Christopher Plummer, who appears to be on a roll this awards season, picked up the Best Performance by an Actor In A Supporting Roll in a Motion Picture – Comedy or Musical for his work in Beginners. Michelle Williams, who spoke as if she had tumbled out of a Teletubbies episode, won Best Performance by an Actress in a Motion Picture – Musical or Comedy for her work in My Week With Marilyn. You can go back to the other side of the rainbow now, Michelle.

That ugly, monogamous man George Clooney deservingly picked up Best Performance by an Actor in a Motion Picture – Drama for his work in The Descendants. The film also took home top honours, with Best Motion Picture – Drama. Although I felt that The Tree of Life and Take Shelter were both more deserving of an award, much less a nominations, Alexnader Payne’s incredible narrative of Hawaiian family and land ties was a fabulous picture, deserving of such an award.

One of the biggest upsets came from Martin Scorsese’s win for Hugo. Most critics, and even me (I know, shocking), predicted that Michel Hazanavicius would win for The Artist. That Scorsese. His glasses are so big cause they’re full of awards, and chicken parmesan.

And finally, I am sooooo happy to say that Meryl Streep won Best Performance by an Actress in a Motion Picture – Drama for her incredible work in The Iron Lady. She is long overdue for her Oscar this year, and for President of the World. Long may she reign.

Overall, Ricky Gervais played it safer from last year’s groan-inspiring set, but still prompted a few uncomfortable chuckles with his risky material that included jabs at Kim Kardashian and the recession. However, I thought he hit the perfect level of meanness, intelligence, wit, and downright funny. Here, here Gervais. Have another pint and continue tweeting about being an Atheist. It’s doing you good.

For a complete list of winners, click here.

My Golden Globe Predictions: Television

After popular demand from my dad, below are my who should win/who will win predictions for the television Golden Globe awards. Enjoy, and comment for chastization if I’m wrong.

Best Television Series – Drama

Who Should Win: Game of Thrones - HBO’s medievally fantastical series deserves top prize this year, but its awards season heat has cooled off considerably since its first season finale aired in June.

Who Will Win: Homeland - An Iraq war veteran? A swearing CIA agent? Who could resist?

Best Performance by an Actress In A Television Series – Drama

Who Should Win: Claire Danes in Homeland - Good girl goes bad Danes’ transformation is awe-inspiring in this Showtime series. Angela Chase, be damned!

Who Will Win: Claire Danes in Homeland - HFP voters have taken note of every F bomb and have loved every syllable.

Best Performance by an Actor In a Television Series – Drama

Who Should Win: Steve Buscemi in Boardwalk Empire - Although buzz for HBO’s 20′s period piece has hushed considerably, Buscemi continues to amaze as political bootlegger Nucky.

Who Will Win: Bryan Cranston in Breaking Bad - As high school chemistry turned meth dealer, Cranston continues to be a voter favourite, and the Hollywood Foreign Press are no exception.

Best Television Series – Comedy or Musical

Who Should Win: Enlightened - This entirely underrated little HBO show about a high-powered female executive (Laura Dern) in the midst of an existential crisis will almost certainly be overlooked. Le sigh.

Who will Win: Modern Family - Everyone’s favourite Arrested Development knock-off just won’t cool off. Cue stereotypically gay comment by Cam.

Best Performance by an Actress In A Television Series – Comedy or Musical

Who Should Win: Laura Dern in Englightened – Sensing a theme yet? Dern absolutely kills it as the over-bearing power bitch in rehab. Her tour-de-force performance of physical hilarity deserves the accolade.

Who Will Win: Laura Dern in Englightened - Praise HBO, but I think it might actually happen.

Best Performance by an Actor In A Television Series – Comedy or Musical

Who Should Win: Matt LeBlanc in Episodes - I know! Who knew Joey Tribbiani could act!

Who Will Win: Johnny Galecki in The Big Bang Theory - Them Hollywood Foreign Press voters love the clichéd nerds. Again, le sigh.

Best Mini-Series Or Motion Picture Made For Television

Who Should Win: Downton Abbey – It’s all about the aristocrats and the Brits. Just don’t watch it and expect it to be about a hip Bronx nunnery. I’ve already made that mistake once . . .

Who Will Win: Downton Abbey - I’m sorry, but Damn Maggie Smith is just the shit. Well deserved.

Best Performance by an Actress In A Mini-Series Or Motion Picture Made For Television

Who Should Win: Kate Winslet in Mildred Pierce – If I had it my way, the goddess of the Brits and Jack Dawson’s heart deserves a double win, for Mildred Pierce and Carnage.

Who Will Win: Kate Winslet in Mildred Pierce – You don’t save Richard Branson’s mother from a burning building and come away with nothing.

Best Performance by an Actor In A Mini-Series Or Motion Picture Made For Television

Who Should Win: Bill Nighy in Page Eight – Bill Nighy, aka Billy Mack from Love Actually, is horridly underrated in this harrowing film of homeland security and M15 officers. I feel it in my fingers . . . that he will get unjustly snubbed.

Who Will Win: Hugh Bonneville in Downton Abbey – Yeah we get it, the brits rock.

Best Performance by an Actress in a Supporting Role In A Series, Mini-Series Or Motion Picture Made For Television

Who Should Win: Evan Rachel Wood in Mildred Pierce - I am one of ERW’s sole-supporters, but I was a big fan of her horrifying portrayal as Vita, the daughter who knows how to get what she wants at any cost. What can I say, I admire a girl with work-ethic.

Who Will Win: Maggie Smith in Downton Abbey – She’s a dame, literally. Yep, it’s happening.

Best Performance by an Actor in a Supporting Role In A Series, Mini-Series Or Motion Picture Made For Television

Who Should Win: Guy Pearce in Mildred Pierce - Maybe I’m biased to this particular mini-series, but Pearce was fantastic and so was the series. It deserves a rewatch by voters and viewers, alike.

Who Will Win: Peter Dinklage in Game of Thrones –  A worthy choice for his portrayal as Tyrion Lannister, the aristocratic ‘imp’.

For a complete list of the 2012 Golden Globe nominees, click here.

My Golden Globe Predictions: Movies

It is the eve before the Golden Globes and many questions loom: who will win, who will lose, who will wear what, who will Gervais drive to substance abuse? Known as one of the fluffiest awards shows, it’s time for me to break down my who should win/who will win movie predictions. I know my dad is psyched for this.

Best Motion Picture Drama

Who Should Win: The Descendants - Alexander Payne’s impressive family drama so thoroughly avoids the melodrama in favour of the honest, the sincere, and the Clooney.

Who Will Win: The Help  - Tate Taylor’s narrative of 1960s black maids who risk it all to tell it all is Golden Globes catnip. Unfortunately, this problematic Mammy-spree will take home the gold.

Best Performance by an Actress in a Motion Picture – Drama

Who Should Win: Meryl Streep in The Iron Lady - With almost 30 years since Streep’s last win for Sophie’s Choice, her tour-de-force performance as Margaret Thatcher is one of her best to date.

Who Will Win: Meryl Streep in The Iron Lady - Yeah, it’s time.

Best Performance by an Actor in a Motion Picture – Drama

Who Should Win: George Clooney in The Descendants – I’ve been hard on him for always playing himself, it paid off majorly in his performance as Hawaiian land baron Matt King. Although the best performance of the year was Michael Shannon in the incredible Take Shelter, Clooney is the best of these nominees.

Who Will Win:  George Clooney in The Descendants - Although it’ll be a close call between the Clooney and Brad Pitt for his impressive turn in Moneyball, I think Clooney’s honest and powerful performance will win the day.

Best Motion Picture – Comedy or Musical

Who Should Win: The Artist – Believe the hype. This black and white, silent film is so charmingly and skillfully executing, it’ll have you nostalgic for the Chaplin days.

Who Will Win: The Artist – There’s no stopping this one. The undeniable momentum of this french phenom will most likely take them all the way to a Best Picture win at the Oscars.

Best Performance by an Actress in a Motion Picture – Comedy or Musical

Who Should Win: Kate Winslet in Carnage - One of her least talked about performances, but one of her best nonetheless, Winslet’s performance as Nancy Cowan, a mother trapped in a parental dispute, is simply stunning.

Who Will Win: Charlize Theron in Young Adult – Her subtle, menacing, and bitchy performance in Diablo Cody and Jason Reitman’s first collaboration since Juno got a lot of folks talking. She’s hit her stride at just the right time in the awards season race.

Best Performance by an Actor in a Motion Picture – Comedy or Musical

Who Should Win: Jean Dujardin in The Artist - Not enough can be said about Dujardin’s stunning, physical, and charming performance as George Valentin. He’s bringing black and white back, and it’s a welcome and fresh change from the status quo of American film.

Who Will Win: Jean Dujardin in The Artist - It’s all about The Artist and it’ll show in the numbers, tomorrow night.

Best Animated Feature Film

Who Should Win: The Adventures of Tintin - With stunning special effects and a jovial and exciting plot, this Jackson/Spielberg collaboration was a light point in the feel bad movie season of the year.

Who Will Win: Rango - It’s been an awards season favourite so far, and Johnny Depp’s vocal stylings as a cool, Southern chameleon might just charm the Hollywood Foreign Press too.

Best Foreign Language Film

Who Should Win: In The Land Of Blood and Honey – Written and directed by that ugly actress Angelina Jolie, this tale of forbidden love during the Bosnian War is altogether brutal and stirring.

Who Will Win: In The Land Of Blood and Honey - Sucks to be Angelina, huh?

Best Performance by and Actress in a Supporting Role in a Motion Picture

Who Should Win: Berenice Benjo in The Artist - Charming, moving, and sweet, Benjo brings back the ingenue in her literally silent performance in the French sleeper hit.

Who Will Win: Octavia Spencer in The Help - There’s no denying the Spencer. Cleaning up at awards shows throughout the season, her performance as the black maid with a flare for revenge will undoubtedly win.

Best Performance by an Actor in a Supporting Role in a Motion Picture

Who Should Win: Christopher Plummer in Beginners - With dually acclaimed performances in this film and The Girl With The Dragon Tattoo, it’s all about the sexy senior citizen this awards season.

Who Will Win: Christopher Plummer in Beginners - Although he’s got close competition with Albert Brooks in Drive, Plummer’s performance as the newly out and proud gay senior is a critic favourite.

Best Director – Motion Picture

Who Should Win: Michel Hazanavicius in The Artist – With stunning visual and emotional images, Hazanavicius makes a stunning mark in popular cinema with his tale about film innovation and love.

Who Will Win: Michel Hazanavicius in The Artist – A director who can make a black and white, silent picture a hit in the United States: now that’s award worthy.

Best Screenplay – Motion Picture

Who Should Win: Woody Allen for Midnight In Paris- With his whimsical, challenging, fantastical, and charming screenplay, writer and director Allen was able to craft a story that brought in the best box office numbers of his career.

Who Will Win: Stan Chervin, Aaron Sorkin, and Steve Zaillian for Moneyball - The wordy trio showed considerable restraint with this crisp, slick, and exciting adaptation of Michael Lewis’s novel of the same name. The Hollywood Foreign Press will not be able to resist.

Best Original Score – Motion Picture 

Who Should Win: Trent Reznor and Atticus Ross for The Girl With The Dragon Tattoo - Reuniting the Oscar winning musical team from Fincher’s last film, The Social Network, this duo of English gent and Nine Inch Nails frontman produced a powerful, sinister score.

Who Will Win: Trent Reznor and Atticus Ross for The Girl With The Dragon Tattoo - This could possibly be the only award for Fincher’s adaptation of Steig Larsson’s bestselling novel. I’m still bitter about the Social Network too.

Best Original Song – Motion Picture

Who Should Win: I have no opinion. Maybe Elton John for that Gnomeo and Juliet film, mostly because the combination makes me laugh.

Who Will Win: I can only assume the Hollywood Foreign Press will agree with my above reasoning.

For a complete list of the 2012 Golden Globe nominations, click here.

Who do you think will win tomorrow night? Isn’t the combination of Elton John and talking gnomes hilarious? Drop me a line in the comment section.

The Lady In Blue

The indelible Meryl Streep graces the silver screen with yet another transformative performance as British PM Margaret Thatcher in Phyllida Lloyd’s The Iron Lady. Powerful, sinister, emotional, and altogether disarming, Streep has once again proven that she is without a doubt the most talented actor of her generation.

Told in a stream of consciousness narrative, Ms. Lloyd brings us to Margaret after she has retired from public service, after her husband Denis (Jim Broadbent) has died, and just as Alzheimer’s disease begins to creep in on her. Through a series of flashbacks, hallucinations, and fond recollections, we may see a glimpse into the impressive career of one of the most polarizing figures to ever grace British politics.

One of the most impressive aspects about Lloyd’s ambitious film is that it subscribes to none of the formulaic properties of the countless other popularized biopics, such as The King’s Speech, J. Edgar and Ray. The Iron Lady’s form is deeply explorative, and plays with the difficult, often cheesy conventions of hallucination. Streep, a battle-axe of classical training, form, and hard work, makes the risky plot structure move effortlessly through the years and through Ms. Thatcher’s unreconciled recollections.

To say that Streep’s portrayal of Thatcher is impressive is perhaps one of the worst understatements of the year. In all performances Streep, she is able to so astutely and uncannily channel in her performance, that it migrates quickly from impression to complete possession. Taking Thatcher from age 30 to 80, Streep so completely inhabits Thatcher’s every twitch, purse of the lips, and twinge of the voice. She is devastatingly effective at leading the character convincingly through a throw down verbal bludgeoning in parliament, to squabbling with her teenaged daughter Carol (Olivia Colman), to eating hard-boiled eggs and toast with the apparition of her late husband. Only Streep could take such a frosty, at times dismissive figure and humanize her to the point of no return.

Streep is well matched on-screen, most notably by Jim Broadbent who does excellent, cooky, and charming work as Margaret’s husband, both in hallucination and true life. His whimsical spirit, so disarming and incredibly unsettling, mixes richly with Ms. Streep’s acting gusto and helps to humanize the lady of iron.

Similarly, Alexandra Roach is a worthy counterpart to Ms. Streep, as she takes on Margaret Thatcher in her early years. She captures the accent, the determination, and the keen stubbornness of the grocer’s daughter with lofty ambitious for public service. Although Streep’s ferociousness is unmatched in Roach’s work, the young actress’s timidness works well with this naive, unsure young version of Ms. Thatcher.

However, as sensational as Streep and her worthy cast are, she cannot entirely make up for a somewhat lacklustre screenplay that does much to chronicle Thatcher’s life and political accomplishments, but little to evoke the true essence of her being. For a woman who said “I owe nothing to woman’s lib”, no side of her often contradictory existence of a woman politician surrounded by men, pushing for pearls, Christian and conservative values, but not for sex equality is explored. We are never truly introduced to the root of the conundrum that stirred one part of the nation, while entirely angering the next.

As far as its Oscar future goes, I don’t want to jinx it, but I really think this could finally be Meryl’s year. It’s been just shy of 30 years since Meryl collected her last Oscar, a Best Actress statuette for her outstanding work in Sophie’s Choice. She’s had 12 nominations in between, and no take home. I’d say, it’s about fucking time.

What did you think of The Iron Lady? Do you think this could finally be Streep’s year for the Oscar? Leave it all in the comment section.

The Help, The Artist Win Big At Critics Choice Awards

 

The Critics Choice Awards just wrapped up, and it looks like The Artist and The Help have come away the big winners of the evening.The Artist, long considered the Oscar film to beat, ended the night with 4 wins, including Best Picture and Best Director for Michael Hazanavicius.

The Help held it down in the acting categories, taking home 3 wins: Best Actress for Viola Davis, Best Supporting Actress for Octavia Spencer, and Best Ensemble Cast.

Other winners include George Clooney for his performance in The Descendants, gay Captain Von Trap/Christopher Plummer for his performance in Beginners, Best Original Screenplay for Woody Allen’s work in Midnight In Paris, and Best Adapted Screenplay for crossword champs Aaron Sorkin, Steven Zaillian, and Stan Chervin for Moneyball.

If this is any indication of what the star-heavy, substance-light winners list at the Golden Globes will look like this Sunday, it sounds like Emma Stone has one more thing to be thankful for this year.

For a complete list of 2012 Critics Choice Awards winners, click here.

Drive Me Crazy

As one of the most intriguingly versatile actors of our generation, Ryan Gosling fronts an impressive cast in Nicolas Winding Refn’s hyper-stylized Drive.

Based on the 2005 James Sallis novel of the same name, Drive tells the story of a stunt driver/getaway driver/mechanic living in Los Angeles. Oddly, the silently multi-faceted character is simply referred to as ‘Driver’ (Ryan Gosling), and spends much of the film in quiet contemplation of the potentially damaging situations in which he finds himself: driving thieves away from a stick-up, maneuvering car flips on a Hollywood set, or wooing single mother Irene (Carey Mulligan) whose hubby is in the slammer.

Despite the tough-as-nails exterior that Driver puts on with few words and many brooding poses, he is easily enveloped in the personal confusions and catastrophes of the few he allows close to him. After Irene’s husband Standard (Oscar Isaac) returns from jail, Driver is pulled in to help settle a post-prison debt. Similarly, Driver’s desperately hopeful boss Shannon (Bryan Cranston) is attempting to use Driver to turn his fortunes around by pimping him out as a new-fangled race car driver sponsored by shady businessmen Bernie Rose (Albert Brooks) and Nino (Ron Perlman).

Still, as characters, plot and dashboards conflict and collide with Driver, we see in such small, subtly perverse ways how he is controlled and manipulated by a big heart and few words to express himself. So necessarily subtle, Gosling’s intense on-screen presence builds an undeniably palpable character in the LA jungle of heat, car exhaust, and 90s power ballads. Driver constantly feels like a volcano always nearing eruption and as an audience, we are riveted to see the boil over.

As daringly subdued and restrained as Gosling’s performance reads, Refn expertly crafts a dynamic cast of stand-alone, charismatic characters to colour his slickly self-aware world. Carey Mulligan has a subtlety and a sensuality all her own. She is all together strong, weak and gripping as she pulls Driver in to touch, only to push him away again. As audience members, we are truly seduced through Irene’s eyes by Driver, as his silence and mystery lures us, only to have his dangerous, flip-of-a-switch violence of his hidden life repel us once more. Although Irene is very true to Mulligan’s type-cast, (shy, cute, charming), it is an archetype she has crafted skillfully. Ms. Mulligan definitely has the market cornered on shy waifs.

As one of the most underrated character actors of the 21st century, Bryan Cranston adds another pathetic homage to his roster of loveable losers. As Shannon, his disparity and sheer bad luck is so palpably pathetic, that his oddly sadistic overtones feel entirely authentic. We are unsurprised and sympathetic to Shannon’s moral grapples, and we cannot help but root for the underdog. Well played, Dad from Malcolm In The Middle, well played.

Albert Brooks is conniving and deceptive as the sleazy mafia insider Bernie Rose, right down to his tacky suits and anemic social skills. His performance grounds the film of stylistic overdose, providing the necessary roots of gripping cruelty and paralyzing humanity. This caricatured conundrum is Brooks’ best work to date.

Overall, these characters mix and mingle against Refn’s highly pre-meditated soundstage of style in an awkward, often self-conscious fashion. As authentic as the realism genre of acting reads, it is jarringly counterbalanced by Refn’s self-aware, far too slick direction. The camera seems to linger too long over Ryan Gosling’s hunky jaw line, his gimmicky velour jacket, and his lingering stares at the world he cannot join. The score of dramatic 90s soft rock pays reference to cheesy early 90s action/romance movies, such as Days Of Thunder. It is a stylistic choice far too pre-meditated and self-conscious of its own quirk. The interesting story, riveting characters, and fabulous, bloody, bloody action does enough to provide the film with its own stamp of originality. The overdose of meta just jumps the shark.

As far as its Oscar future goes, I have a feeling that Drive’s summer, sleeper smash peaked too soon. Gosling’s performance is well deserving of an Oscar nomination, and I believe he will get it, but without the ultimate win. The unsophisticated Golden Globe Awards have rewarded Gosling with dual nominations for his weaker performances in The Ides Of March and Crazy Stupid Love. I still believe that the Academy will overlook the glitzier choices, embellished with Clooneys and Carells, and reward the subtlety of Drive.

Albert Brooks has become the award season front-runner for Best Supporting Actor. With wins at the National Society of Film Critics Awards, The New York Film Critics Circle Awards and The Satellite Awards, Brooks is nominated for a Golden Globe award. I believe he is the one to beat this Sunday night.

What did you think of Drive? Was Gosling’s performance genius, or a mumbling mess? Share all your thoughts, every last one, in the comments section.

New York Film Critics Awards

The New York Film Critics Awards went down last night and the results were not overly shocking,

Unsurprisingly, Best Picture went to The Artist. The film to beat also picked up Best Director for Michel Hazanavicus. Best Actor was awarded to that struggling, ugly actor Brad Pitt for his work in Moneyball. The baseball film also received the award for Best Screenplay for the wordy dream team of Aaron Sorkin and Steven Zaillian.

Meryl Streep picked up Best Actress for her amazing work in The Iron Lady. Critics are saying that this performance will finally break her 13 nomination losing streak at the Oscars, and earn the venerable actress her fourth of her career. Oh, Meryl. You’re all the woman I want to be.

Other winners include Albert Brooks for Drive, Best Supporting Actress for Jessica Chastain in The Help, and Best Cinematographer for Emmanuel Lubezki for the best movie ever, The Tree of Life.

What do you think of the results? Am I the only one that cares? Probably. Share your thoughts with a comment or two.